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Raul Gonzalo Aparicio Reyes
From: Guadalajara, Jalisco, México
Studies: Facultad de Diseño.
1960-1965 Escuela de Artes Plásticas, Universidad de Guadalajara.

Collective and individual exhibits:

1965     Galería de las Artes Plásticas. Guadalajara
1967     Jardín del Arte " Agua Azul”. Guadalajara.
1969     Casa de la Cultura Jalisciense. Guadalajara
1971     Instituto Cultural México Norteamericano. Guadalajara
1973     Instituto Cultural México Norteamericano. México D.F.
1974     Galería de Arte " Aparicci ". Morelia Michoacán.
1975     Galería de Arte " Aparicci ": Morelia Michoacán.
1976     Casa de la cultura Michoacana. Morelia Michoacán
1977     Galería " Begsu " .Guadalajara.
1979     Galería de las Artes Plásticas. Guadalajara.
1984     Centro Cultural Comermex. México D.F.
1985     Seguros La Comercial. Guadalajara.
1987     Galería " Gabriel Flores " Universidad de Guadalajara"
1989     Club Hacienda San Javier. Guadalajara.
1990     " Exposición y Subasta " Ayer y Hoy " Guadalajara.
1992     DIF. Palacio Municipal de Zapopan, Jalisco
1993     Galería "Las Colinas" Zapopan, Jalisco
1994     Club Rotario. Hotel Hyatt, Guadalajara
1995     Centro Cultural " JUAN RULFO " Sayula, Jalisco.
1996     Casa museo " Lopez Portillo". Guadalajara.
1988     Hacienda San Javier, Guadalajara.
1999     Galería " Reciklarte " Tapalpa, Jalisco.
1999     Galería " Reciklarte" Tonala, Jalisco.
2001     Galería del Bosque, Guadalajara.
2005     MEXICARTE, Akumal Q.R.

“Sculpt” to sculpt the paintings is the style that Aparicio does his Works, before a
spontaneous universe of colors, plastered in their primary form. Step by step he
starts giving the necessary movements, to extract the elements that shape that
“something”, that by itself it’s demanding to come out and thank life, for those
spontaneous and colorful strokes, that gave birth to it.
The work remains there, bravely challenging the viewer, so at the end, he is the
one who decides, who critics, rejects or accepts it (Pablo Diaz)

The Works of art are not physical, neither mental, it’s a third part of something,
more platonic, it’s universal. (Aparicci)